The Australian | Michaela Boland
Charles Blackman’s Alice in Wonderland oil The Game of Chess set an auction record for the artist at Sotheby’s Australia’s final Important Australian art sale of the year at Sydney’s InterContinental Hotel last night.
The Daily Telegraph | Elizabeth Fortescue
A DOUBLE-SIDED painting with a mystery portrait on the back has intrigued Sotheby’s Australia specialists ahead of their attempts to find the picture a new home at auction in Sydney tonight (Wednesday 23 Nov).
The Daily Examiner
THE Grafton Regional Gallery is calling for the community to help fund the purchase of a 19th century painting of the Clarence River. The impressionist work, Susan Island on the Clarence River, Grafton, is up for auction in Sydney tomorrow.
Australian Auction Review | Richard Brewster
Arthur Streeton’s And the Sunlight Clasps the Earth 1895 has been recently re-discovered after being hidden from public view in a Tasmanian private collection for almost a century and will be auctioned by Sotheby’s Australia as part of its Important Australian Art auction from 6.30pm Wednesday November 23 at the InterContinental Sydney, 117 Macquarie Street, Sydney.
Australian Financial Review | Peter Fish
Sotheby's Australia has pulled a rabbit from the hat for its Sydney fine art sale on November 23, with an early Charles Blackman taking the million-dollar top billing at the auction, amid a refined offering of works by artists ranging from Brett Whiteley and Arthur Streeton to a pre-World War II Herbert Badham Centennial Park scene.
The Australian | Michaela Boland
Sotheby’s Australia is expecting a record $1 million-plus sale for Charles Blackman’s iconic Alice in Wonderland painting, The Game of Chess, at auction in Sydney on November 23. The oil-on-board depicting Alice and the White Rabbit playing chess at a table has been on loan to the Art Gallery of Ballarat, Victoria, for seven years but the owner, who lives abroad, has decided to sell and the Art Gallery of NSW is considered a likely buyer.
Sotheby’s Australia has been entrusted with the sale of Jeffrey Smart’s The Two-Up Game (Portrait of Ermes de Zan) (2006) (estimate $500,000-700,000, lot 48). Consigned by the TarraWarra Museum of Art, the painting will be auctioned on 23 November, with funds raised to establish a future acquisition fund.
Panoramic or extended lateral compositions form a distinct and significant sub-group of paintings within the oeuvre of Jeffery Smart. The Two-Up Game (Portrait of Ermes de Zan) relates closely to a series of ‘container’ compositions from 1990 that depict corrugated structures of various colours at the Italian port city of Livorno, on the west coast of Tuscany. The central placement of the figure, Smart’s life partner Ermes de Zan, successfully expresses the feeling of social, even existential displacement that is so much a part of the culture of late capitalism.
Geoffrey Smith, Chairman of Sotheby’s Australia commented: ‘The de-acquisition of a painting by a collecting institution is not entered into lightly. TarraWarra Museum of Art has given careful consideration regarding the sale of The Two-Up Game (Portrait of Ermes de Zan), assessing the work in the context of the existing collection and future acquisitions. The museum and its founding benefactors, Eva Besen AO and Marc Besen AC, are long-term supporters of Jeffrey Smart. The museum holds an additional ten major paintings by Smart donated by Eva and Marc Besen. In addition, the Besens also provided the funds for Smart’s largest composition, Container Train in a Landscape (1983-1984, Arts Centre Melbourne), that has become one of the most beloved and admired of all of the artist’s works. We look forward to assisting the museum in achieving the optimum result for their future acquisition fund.’
Victoria Lynn, Director of TarraWarra Museum of Art commented: ‘While we are saddened to let go of such a wonderful Jeffrey Smart painting, our aim of establishing a fund for the future acquisition of major works of modern and contemporary Australian art will provide the Museum with long term opportunities to enhance our outstanding collection of Australian art.’